At the Ronacher we would like to give all guests the opportunity to experience musicals without restrictions.

Wheelchair spaces

We have reserved wheelchair spaces with a good view in the Ronacher. Please book them ideally up to one week before the performance so that we can prepare the auditorium accordingly. We will of course endeavour to accommodate requests at short notice up to the day of the performance.

For safety reasons, we can only provide wheelchair seating in the stalls for guests in wheelchairs who are unable to leave the auditorium or the building independently in an emergency.

SEATING PLAN

Reductions:

Wheelchair seats cost EUR 10 per performance.
The accompanying person receives a 50% discount on the ticket price of the chosen category.

Wheelchair spaces can be booked by telephone (Wien Ticket Call Center: +43/1/58885-111) or in person at the VBW box offices & at the Wien Ticket Pavillon next to the State Opera:

OPENING HOURS

On site at the theatre:

Here the audience service welcomes you and personally accompanies you to your seats. Our staff will be happy to give you further information about the theatre's infrastructure. All our wheelchair spaces are in different categories in the stalls with a good view.

Arrival
Nearest stops: 

• Weihburggasse (tram 2) – approx. 190m away
• Stadtpark (U4) – approx. 450m away
• Stephansplatz (U1, U3) - approx. 650m away

Parking:

• Disabled parking in Seilerstätte 9 
• Parkgarage Cobdengasse 2 (approx. 350m away) at a reduced theatre rate for Ronacher visitors.

Walking aids

If you are using walking aids (e.g. walking stick, rollator, crutches, etc.), please inform us in advance so that we can make your visit as pleasant and safe as possible.

Induction system for people with hearing aids

We would also like to give people with hearing aids the opportunity to attend our musical productions at the Ronacher undisturbed. That is why our auditorium is equipped with an inductive hearing system. This transmits the stage sound directly to our visitors' hearing aids and effectively suppresses background noise and reverberation. All information reaches the ears of the audience completely undistorted.

Please note that reception is only possible in the predefined seating area and book the appropriate seats to use the system:

ROCK ME AMADEUS - DAS FALCO MUSICAL
Middle stalls, rows 18 to 24

How does the system work?

An induction loop enables wireless, interference-free reception of audio signals. The induction loop can be thought of as a wire loop that is placed around the predefined seating area. Here, the useful signal is transmitted directly into the hearing system by means of a magnetic field.

Simple activation of the telecoil in your own hearing aid or CI speech processor

In order to receive this signal, it is necessary to set your system to the appropriate reception mode: To use an inductive hearing system, the hearing aid is switched to T or M/T.

More information on how it works

FAQ about the induction loop

Surtitles

The RONACHER is equipped with a surtitling system. The system is located to the left and right of the stage.

ROCK ME AMADEUS - THE FALCO MUSICAL

The founding years

RONACHER, found in inner-city Vienna, was built by the architects Ferdinand Fellner d. Ä. und Ferdinand Fellner d. J between 1871 and 1872 as a private Ltd. for journalist Max Friedländerand the former “Burgtheater” Director Heinrich Laube. As a "Viennese City Theatre", it appealed to a broad middle-class audience and directly competed with the Imperial Court theatres of the day.
Its official opening was on the 15th September 1872 with Heinrich Laubes rendition of Friedrich Schillers Demetrius.

Vaudeville Theatre

Twelve years later, on the 15th May 1884 the theatre went up in flames. Re-opening as a theatre was no longer possible due to new enforced fire regulations.
In 1886 Anton Ronacher bought the ruined theatre, once again allowing Ferdinand Fellner d. J. and his partner Hermann Helmer, the most successful theatre designers of the time, to redesign the theatre - converting it into a Concert Hall and Ballroom. To this new building, intended as a Vaudeville or Variety Theatre, Anton Ronacher had a hotel connecting to the ballroom proper and was by this stage also able to build in electric lighting.

In 1888, the theatre was reopened as the RONACHER ESTABLISHMENT.
Elaborated stage machinery was waived at this stage as to the future use, instead Parquet flooring and lodge benches were placed where guests could eat, drink and smoke while enjoying the performances. After a short two years however, Anton Ronacher was forced to resign due to economic reasons.

From 1890, performances from powerful personalities and athletes attracted large numbers of visitors from the outlying suburbs, which in turn urged the big bourgeois and aristocratic audience to follow suit. Throughout the following years the typical vaudeville variety programme including operettas, was generously mixed with guest performances, dance and vocal soloists. For years, dancers, magicians, acrobats and illusionists dominated the theatre. On of the highlights of this period was the appearance of Josephine Baker in 1932. The 30's marked the end of the variety theatre in RONACHER, mainly due to the banning of performances by Jewish artists.

After the war, the stage was used as a substitute for the destroyed "Burgtheater" from 1955 until 1960, once again performing variety theatre. In 1960 RONACHER was closed. The ORF then took over the building as Studio and rehearsal stage space but abandoned the building once more in 1976.
10 long years drew by before Cagliostro in Vienna and the Vienna Festival Events took the first steps towards a revival of the theatre in 1986.

Arrival of Musical Theatre

In 1987 VEREINIGTE BÜHNEN WIEN took over RONACHER with the intention to revitalise the theatre once more. From 1988 until 1990, Cats, acquired from THEATER AN DER WIEN, as well as two Opera Premiers filled the stage.

After a soft renovation in 1993, RONACHER was reopened and leased. From September 1997 however, it once more joined the ranks of the VBW and served primarily as a guest performance house for international touring productions, as an event location and occasionally as a venue for VBW's own productions such as Chicago and F@lco - A Cyber Show.

The new RONACHER

Between 2005 and 2008, a comprehensive functional renovation of RONACHER took place.
This project, budgeted at 34,1 Million Euro, was based on plans from "Architektur Consult ZT GmbH" and carried out by Prof. DI Günther Domenig and DI Gerhard Wallner.

Deputy Mayor Mag. Renate Brauner, in the company of Federal President Dr. Heinz Fischer and City Councillor Dr. Andreas Mailath-Pokorny, officially reopened RONACHER with the Gala Premier of The Producers on the 30th June 2008. Today RONACHER is once again one of the "pearls" of the Vienna theatre scene.

In September 2009, RONACHER celebrated the first Viennese Version Premier of the Cult-Musical TANZ DER VAMPIRE.
From 15th September 2011 until the end of 2012, Musical-Hit SISTER ACT was to be seen in RONACHER. NATÜRLICH BLOND celebrated its Premier on 21st February 2013 followed by LOVE NEVER DIES, the continuation of THE PHANTOM OF THE OPERA as concert version, from 18th till the 26th October.

DER BESUCH DER ALTEN DAME, based on the play by Friedrich Dürrenmatt and with musical stars Pia Douwes and Uwe Kroeger in leading roles, filled the schedule between February and June of 2014.
Since 1st October 2014, the Broadway Musical MARY POPPINS, about the Banks Family and their spectacular nanny, has enchanted RONACHER's audiences.

Musical fans get 10% off their stay at Austria Trend Hotels!

Get a 10% discount on bookings at our Hotelpartner Austria Trend Hotels